While working at Travelers Aid-ISS and living on Van Brunt Street near the Brooklyn Battery tunnel in the mid-1970's, I came to feel that the way to replace the then-existing militaristic U.S. imperialist society's undemocratic political system was for the 1970's New Left Movement in the USA to start calling for establishing a culturally-hip, anti-imperialist and anti-militarist classless and democratic "youthocracy" in the USA.
It then seemed that the vast majority of people under 30 in the USA were still much more antiwar, anti-capitalist and anti-work ethic, as well as more leisure-oriented, politically hip and non-materialistic than were the U.S. citizens over 30 and all the old fogey U.S.-elected officials and U.S. power elite members, who had previously politically repressed the New Left Movement of the 1960s and then taken away the post-World War II economic affluence that most U.S. white working-class people had had, prior to 1973.
But although I then wrote a few columns for the New Jersey-based alternative newspaper, The Aquarian, in which I called for a "youth-led Revolution" in the USA, that would establish a socialist youthocracy in the 1970's, no youth-led revolution in the USA happened; and no political system of "youthocracy" was established in the USA in the 1970's.
Instead, the U.S. corporate media encouraged a more politically reactionary "me" generation of U.S. youths to develop and an older generation of "hip capitalists"--some of whom were born during and after World WarII--who began to transform the U.S. capitalist economic system; which then, on the surface, appeared to be more "hip" and less overtly culturally straight, and less money-oriented, than what 1950's and early 1960's U.S. capitalist society had looked like.
I also at this time, then began to again feel that the corporatization in the 1970's by the hip rock capitalists, as previously symbolized by the early 1974 Dylan comeback tour, in which concert ticket prices were higher than anyone else's previous concert tour ticked prices, was something that the New Left Movement of the 1970's needed to prioritize in exposing and resisting.
So I also then wrote a column or two urging hip youth to again start resisting the hip capitalist complex's takeover of the youth cultural music scene in the 1970's.
And to get more of a sense of what the Rock concert scene was still like in the 1970's, I even took a Long Island Railroad [LIRR] out to Long Island one summer weekend day and snuck into an overpriced Crosby, Stills, Nash and Young outdoor concert; while on another Friday or Saturday night I went to an outdoor Eagles and Beach Boys concert in Jersey City, where a young stoned teenage girl jumped on my shoulders during the time when the Beach Boys were signing their "Good Vibrations" pop song.
While working at Travelers Aid-ISS in the early summer, I also spent one evening going to a free concert at the South Seaport venue in Downtown Manhattan area, near where the Fulton Street Fish Market used to be located at, that 1960's folksinger Judy Collins was then giving a one-night performance at.
Although when I had attended a Judy Collins live concert in the mid-1960's I had found her performance both entertaining and artistically interesting, after hearing her perform for free at the South Seaport in the mid-1970's, I felt that Judy Collins had, by then, become more of a careerist and commercially-oriented, mainstream-type pop female vocalist-type singer than a folksinger; and less artistically interesting and less entertaining than she had been in the 1960's.
The main reason, though, that, so many decades later, I still remember attending this free South Seaport Judy Collins early summer concert, is that it was there, after the concert had ended, that I bumped into an old Richmond College Social Change Commune member that I hadn't seen since the Spring of 1969, named Joe, who had also been attending the free Judy Collins concert that night.
Enrolled in the experimental college on Staten Island, Richmond College, in the late 1960's, when he was then in his mid-20's, Joe, a white guy of average height who, despite seeming to be high on pot all the time, never dressed particularly like a hippie, was then a supporter of Richmond College SDS; probably because he opposed the Vietnam War and because New Left groups like SDS favored the legalization of pot use as early as the late 1960's.
But although Joe might be willing to attend a demo or sit in the audience to hear a white New Left activist or a Black Panther Party organizer speak about the need for Revolution in the late 1960's, he wasn't the type of antiwar student hippie who would ever consider doing any Movement organizing work, himself. And, insofar as he thought politically, in the late 1960's his political leanings pretty much reflected Abbie Hoffman's then politics and concept of Revolution more than late 1960's National SDS's politics.
Yet Joe, in the late 1960's at Richmond College, was someone whom you could always count on to offer you a joint to share at anytime or place, in a friendly way; and he was politically perceptive enough to both recognize sooner than nearly all the other students which of the U.S. liberal-left or radical left academics were more into their careers than making the Revolution and which of the Staten Island Black Panther Party members were the most likely ones to be NYPD infiltrators.
Before I bumped into Joe again in the mid-1970's, my recollection is that, around the last time I had seen him in the Spring of 1969, Joe, who had been rooming on Staten Island with an apolitical African-American student at Richmond College who shared his interest in being high all the time, was now moving into a Staten Island apartment with his new white woman student womanfriend.
But, by the time I bumped into Joe by accident at the free Judy Collins concert, Joe was then residing in his mother's apartment in Queens, working at a mental health facility on Staten Island with ex-addicts as some kind of drug rehab counselor, and spending most of his non-working weekend and evening hours away from his mother's apartment and "living in his car," as Joe put it
By using his mother's apartment in Queens as his place to sleep each night, Joe was able to avoid having to cough-up a lot of money to pay rent on his own apartment, thus enabling Joe to more easily afford to pay for both his car's gasoline costs and for all the recreational drugs and marijuana that he might want to buy each month.